Publishing


28
Jul 10

Quote from David Israelite, President of the National Music Publisher’s Association (NMPA)

I received a nice e-mail today from David Israelite, the President of the National Music Publisher’s Association, regarding my book, Starving the Artist.

He’d just finished reading it, and had the following to say:

“Starving the Artist makes a compelling case why songwriters deserve to be compensated for their creations.  Aicher exposes the illogical nature of those who try to justify the theft of music.  Everyone who loves music should read this book.”

So there you have it, if you love music, buy my book. :)


1
Jun 10

J.A. Konrath Is Not “Embracing Piracy” With His Free eBook Experiment

So this past Sunday, independent author, J.A. Konrath decided to run an experiment.  In order to prove his theory that piracy doesn’t hurt sales he’s encouraging people to steal one of his books for the next month.  Yes, that’s right – he wants people to freely trade, post, share, and distribute his eBook, Jack Daniels Stories for the next thirty days.  The way the experiment is set to work (note this is my simplified explanation) is that he will keep track of the current sales and ranking of the book on Amazon, Barnes and Noble, etc. and see how free trading of his books affects their sales.

To help spur this trading/sharing, he’s offering a zip file containing multiple formats of the e-book on his site. He’s also encouraging those who download the file to upload it to all the file sharing sites they use and distribute it in any way possible (or, if they prefer, not distribute it at all).  Basically he’s giving permission for people to steal his book so he can see if it really hurts sales.

The problem with this experiment however, is that it’s really nothing more than a marketing tactic. By giving permission for people to share this book he’s not, in any way. embracing piracy, but rather he’s embracing alternative distribution channels.  Copyright law grants the copyright holder or administrator the right to determine the price and distribution allowed for any work owned/administered, so obviously if he’s telling people to trade the file and download it without payment, that’s his right to do as the copyright holder. All he’s done is lowered the price of this book to zero for the duration of his experiment.  (If this non-price will continue to be enforced once the thirty days are up, and if so, whether he decides to do anything about it are unknown.) Continue reading →


5
May 10

My New Book: “Starving the Artist” Is Now Available

If you’ve been following my updates here or on Twitter, you are likely aware that over the last nine months or so I’ve been working on a new, nonfiction book, discussing the value of creative works.  The book, Starving the Artist, focuses on how in today’s Internet age where information can be transferred for a negligible amount of money (basically for free), the underlying creation that makes up the music, movies, books, art and other types of media that we enjoy, is being viewed as something that should be free as well.  A lot of this comes from the thought process that the actual cost of a product should be determined in great part to the physical cost of the packaged good, as well as the general philosophy of those that argue “Information should be free.”

The full title of the book is Starving the Artist: How the Internet Culture of “Free” Threatens to Exterminate the Creative Class and What Can Be Done to Save It.  It’s not a book about copyright law or an argument that “free is evil” – instead it’s a discussion of our current state of how we value other people’s work and creations, and how it should not be up to us as consumers to decide whether or not we want to pay what the creator is asking (if they are asking for anything at all). In some ways it’s a response to Chris Anderson’s Free: The Future of a Radical Price and tangential to Andrew Keen’s The Cult of the Amateur.

Continue reading →


26
Mar 10

Read Chapter One of ‘Starving the Artist’

As Starving the Artist undergoes its final edits and is sent out to those who are receiving advance copies, I’m now able to share the first chapter of the book here online.

The official launch date will be announced soon, but in the meantime you can keep up with news about the book and other copyright / creator rights news at the book’s new official Facebook fan page.

Starving the Artist: Chapter One


10
Aug 09

The Genocide of the Creative Class (A Work-in-Progress)

In a recent post, I mentioned that I was working on a new novel. This is true, but what I didn’t mention is that I’m also working on a new piece of nonfiction. This work focuses primarily on the cost and value of creation, and the damages that are happening to the creative class due to some aspects of modern culture. In fact, a working subtitle for the book (at least as I’m writing it) is The Genocide of the Creative Class.

Here’s a snippet of the current work-in-progress.

For a lot of people, creation is their livelihood. For others, it’s where their livelihood should be. I may be modest at times, but I know I’m no Picasso. For people like him, there obviously was a motivation to create – but there was also a cost. In his lifetime, Picasso created an estimated 50,000 individual works. If nothing else, that’s a lot of paint, paper and time.

Still, the obvious question here is “What if Picasso had not been able to create as his profession?” Of course there is no way he’d have created 50,000 works – there simply isn’t enough time in one’s life to do something like that as a hobby. Or, if somehow he could have still produced as many works, it is highly unlikely he would have had the drive to do so, much less perfect his craft to the level which he did.

Continue reading →


8
Aug 09

Kindle Edition of My Debut Thriller, The Trouble With Being God, Now only $3.50

Have an Amazon Kindle? Looking for a low price on a quick read?

Now you can get The Trouble With Being God, my debut philosophical / psychological thriller, for just $3.50 on the Kindle. (Or download the free sample to take a peek first).

Also, if you have an iPhone, don’t forget you can also download Kindle books to it with the Kindle iPhone app.


11
Jul 09

Why My Next Book May Very Likely Not Be Self-Published

I’m an indie author. Or self-published author … or whatever it is you call someone who wrote a book and decided to publish it through channels other than the traditional ones. At least, that is, as far as my debut novel, The Trouble With Being God, goes.

As you probably know, I’m working on my next book – albeit a bit slowly (we just had our second son, so I am obliged to take a break). This second book is definitely superior to my first – and is a rather marked departure from the contents of my first (there are no murders – so far). But the biggest difference with the new book is that I am probably not going to publish it myself.

Obviously I don’t have anything against indie publishing. After all, I’ve been waving the indie flag for quite a while now. But the thing is, indie publishing has a specific purpose and that purpose was to let books like The Trouble With Being God exist. It wasn’t a regular book – and I definitely took some big risks in the way I wrote it. I never expected it to be a huge success (and so far it hasn’t been) but the goal with that book was to write the story I wanted to tell – even though it wasn’t likely to be a hit with any sort of mainstream audience (in fact, I expected the ending to probably piss a lot of people off. It did – and for those of you who felt cheated, I’m sorry). Still, indie publishing is made for that kind of thing – trying something new to put it out there when traditional channels just aren’t ready to take that kind of financial risk. Continue reading →