Technology


29
Jun 10

Amazon.com Is Down

It appears that the web site for Amazon.com is down. Reports have been coming in through Twitter and elsewhere. From what I’m seeing, it is very likely a database issue, as the site loads but no products seem to be working.

Seeing as how both links for Starving the Artist here go to Amazon, and Amazon.com is down, I should point out you can also buy it at Barnes and Noble (plus it’s on sale there!).

I wonder how much money Amazon’s losing.  I’m guessing it’s a lot.

BTW, If you’re ever looking for a good way to see if a site is down for just you or for everyone, use http://downforeveryoneorjustme.com


14
May 10

Hollywood’s Injunction to Disconnect The Pirate Bay (This Time in Germany)

Today I was discussing the recent LimeWire copyright infringement decision with a colleague of mine, when he remarked “I want the Pirate Bay shut down too.” Then I realized that some of you may have missed the latest news. According to an article on TorrentFreak, a group of major Hollywood studios have obtained a preliminary injunction from the Hamburg District Court in Germany against The Pirate Bay’s web host, CB3ROB, prohibiting them from connecting the Pirate Bay’s web servers to the Internet.

You can read more about this at Torrentfreak. However, for more information I recommend checking out this article over at The Register in the UK, where representatives from the web host say they know nothing of this injunction, and even go so far as to refer to The Pirate Bay as “fully legit.”

The sad part is, that if the Pirate Bay gets disconnected, it’s almost certain we’ll see it pop right back up in some other country on another web service. I hate to say it, but perhaps it’s time we consider actually putting together laws that require ISPs to block access to sites that are known to be operating illegally. Otherwise, it’s just going to continue to be a game of whack-a-mole.


13
May 10

LimeWire Has Officially Been Deemed Illegal (It’s About Time)

LimeLimeWire has finally been found illegal, liable for copyright infringement, a bunch of thieves, etc.

The news of this has been all over the web (WSJ has one of the best pieces of coverage), but I think Patrick Ross of the Copyright Alliance has one of the best responses to it on their blog.

I left my thoughts on the Copyright Alliance’s site, but thought it was worth sharing here as well. So, consider this my official response to the news.

“This is one of the best pieces of news I’ve seen reported in a long time. It’s about time this happened. I remember a few years ago, I was talking to some people I knew and found out that they don’t ever buy music – instead they only download from Limewire (or did at the time). The thing is, when I told them that what they were doing was illegal, they had no idea. Their response was “but I bought some pro version and a plan.” It was only after explaining to them that it still was unlicensed and nothing went to any of the artists or creators that they saw just how misled they had been.

Limewire’s entire business plan was built around the theft of copyrighted materials, and as you said, they were just fine with that. It’s good to see that the Judicial System has stepped up and given them the smack they so deserve.”

It’s about time.


5
May 10

My New Book: “Starving the Artist” Is Now Available

If you’ve been following my updates here or on Twitter, you are likely aware that over the last nine months or so I’ve been working on a new, nonfiction book, discussing the value of creative works.  The book, Starving the Artist, focuses on how in today’s Internet age where information can be transferred for a negligible amount of money (basically for free), the underlying creation that makes up the music, movies, books, art and other types of media that we enjoy, is being viewed as something that should be free as well.  A lot of this comes from the thought process that the actual cost of a product should be determined in great part to the physical cost of the packaged good, as well as the general philosophy of those that argue “Information should be free.”

The full title of the book is Starving the Artist: How the Internet Culture of “Free” Threatens to Exterminate the Creative Class and What Can Be Done to Save It.  It’s not a book about copyright law or an argument that “free is evil” – instead it’s a discussion of our current state of how we value other people’s work and creations, and how it should not be up to us as consumers to decide whether or not we want to pay what the creator is asking (if they are asking for anything at all). In some ways it’s a response to Chris Anderson’s Free: The Future of a Radical Price and tangential to Andrew Keen’s The Cult of the Amateur.

Continue reading →


15
Feb 10

You Need a Robot to Do Your Dirty Work

I’m addicted to my Roomba. In fact, I’m so addicted that I’m addicted to three Roombas (and one Scooba).  They all have names.  There’s Bob 2, Bob 3 and Sir Roberto the Fourth.  (Bob 1 died, unfortunately).  The Scooba is named Norbert.

If you don’t know what a Roomba is, the basic idea is this: it’s a robot that vacuums for you.  (Scoobas mop). Yeah, it doesn’t take too much work to vacuum.  But what a Roomba does is quite a bit more than that – it’s the things you don’t really think about when you think of vacuuming.  Of course the actual “work” part of vacuuming is gone – but the additional benefits are where these little robots really shine.

Roombas are small in height, which means they go under all your furniture – no more moving the couch to clean up the cat hair that’s accumulated.  They’ll go pretty much everywhere you need them to go, and they’ll do it for you pretty much as often as you want. Continue reading →


10
Aug 09

The Genocide of the Creative Class (A Work-in-Progress)

In a recent post, I mentioned that I was working on a new novel. This is true, but what I didn’t mention is that I’m also working on a new piece of nonfiction. This work focuses primarily on the cost and value of creation, and the damages that are happening to the creative class due to some aspects of modern culture. In fact, a working subtitle for the book (at least as I’m writing it) is The Genocide of the Creative Class.

Here’s a snippet of the current work-in-progress.

For a lot of people, creation is their livelihood. For others, it’s where their livelihood should be. I may be modest at times, but I know I’m no Picasso. For people like him, there obviously was a motivation to create – but there was also a cost. In his lifetime, Picasso created an estimated 50,000 individual works. If nothing else, that’s a lot of paint, paper and time.

Still, the obvious question here is “What if Picasso had not been able to create as his profession?” Of course there is no way he’d have created 50,000 works – there simply isn’t enough time in one’s life to do something like that as a hobby. Or, if somehow he could have still produced as many works, it is highly unlikely he would have had the drive to do so, much less perfect his craft to the level which he did.

Continue reading →


16
Mar 09

Really New Think for Old Publishers

Yesterday afternoon here at South by Southwest (SXSW) I had the chance to sit in on a panel featuring Clay Shirky (author of Here Comes Everybody) and several key members of the traditional book publishing world, including representatives of Penguin and Bloomsbury, titled New Think for Old Publishers.  Unfortunately this panel had very little think involved, as the first half of the panel basically consisted of introductions, descriptions of favorite books recently read and attempts to reinforce the importance of the beaurocratic system traditional publishers work in (and why this model is essential for book readers).  It wasn’t until the second half of the single hour allotted for the conversation that the audience was told the publishers weren’t here with “new think” but instead wanted to get ideas from the audience.  What ensued was quite a show of vitriol from the audience.

Rather than get into the details of the audience discussion (you can get the gist from the Twitter discourse or  can get the overview from MediaLoper), I want to discuss a bit the bigger point the publishing industry doesn’t seem to be getting – they no longer hold the keys to the kingdom. Continue reading →